Live Music/Events

St. Patrick's Day

Monday March 17th

Grab your best green garb and join us for St. Patrick's Day!

11:00 AM - 10:00 PM

2025-03-17 11:00:002025-03-17 22:00:00America/New_YorkSt. Patrick's DayGrab your best green garb and join us for St. Patrick's Day!Smoking Butt Heads BBQSmoking Butt Heads BBQInfo@smokingbuttheads.com

Mother's Day

Sunday May 11th

Join us on Mother's Day and treat your mom to a delicious meal!

11:00 AM - 12:00 AM

2025-05-11 11:00:002025-05-11 00:00:00America/New_YorkMother's DayJoin us on Mother's Day and treat your mom to a delicious meal!Smoking Butt Heads BBQSmoking Butt Heads BBQInfo@smokingbuttheads.com
Emily Nenni event photo

Emily Nenni

Wednesday May 28th

Emily Nenni has a confession: she didn't always plan on being a performing artist. "I thought I was just  going to be a songwriter," she admits. Clearly, life had something else in store. The singer and guitarist  has emerged as one of the freshest and most electrifying voices in Nashville, with a sound rooted in  classic honky-tonk and spiked with serious country, soul and rock 'n' roll fire, and sweet-and-sassy lyrics  that chronicle hard living, hot nights, heartbreak and other universal truths about the human condition.  Over the past several years she's enraptured audiences across Music City with sizzling sets in smoky  bars and clubs, honing her command of the stage, perfecting her skills as a band leader and sharpening  an already astute world view, all of which are on full display on her newest studio album, Drive & Cry.  The record is a marked departure from her previous full-length, 2022's celebrated On the Ranch.  Whereas that effort saw Nenni uproot herself to lend a hand — and write — while assisting at a ranch in  southern Colorado, Drive & Cry drops the listener smack in the middle of her boisterous and bustling  Nashville world. The album kicks off with "Get to Know Ya," a honky-tonk rave-up that celebrates the  end of the work day and the beginning of a music-filled, come-what-may night. Nenni busts out her  biggest hoops, jumps into the jeans she can "really only stand up in," and heads to the local bar. "Play 'til  the sun'll come / when the daylight's done," she sings as the instrumental accompaniment races in step  behind her.  From there, Nenni leads into "Greatest Hits," a pedal-steel-inflected Dolly Parton-style number in which  she tips her hat to underground honky-tonk venue Santa's Pub, a dive bar squeezed inside a double-wide  trailer that has become her home-away-from-home in Nashville. "When I first came to town, I was 21 and  singing at clubs with folks who were twice my age," Nenni recalls of moving to Music City from her native  California. "Then a buddy of mine said, 'There's a place where people are making this music that are  actually your age, and where you'd really fit in.' And that was Santa's Pub. It's where I learned that music  doesn't have to be perfect — everybody is just having fun and there's no judgment. You can show up  however you're feeling that night, have a good time and be surrounded by friends."  A stellar cast of those friends stepped up to assist Nenni on Drive & Cry, beginning with producer John  James Tourville of New West labelmates the Deslondes. "He brought in half the musicians and I brought  in half," Nenni says. "And he gave me so much space to make the record that I wanted to make."  It's a record that is her most personal to date. Save for an album-closing cover of Terry Allen's classic  "Amarillo Highway" (a staple of her Sunday-night sets at Santa's), Nenni penned the remainder of the  dozen tracks entirely on her own. "It's the first time I've done that," she says. "I had a few weeks alone at  my house in Nashville, and I just sat with all my thoughts and feelings from the last couple years and put  it all down. So this is an album that's truly 'me.' "  The results put the full range of Nenni's singular musical voice on display, from the soaring "Changes,"  influenced by her love of Sixties girl groups, to the swampy, strutting empowerment anthem "I Don't  Have to Like You," in which she declares "I'm a grown-ass woman and I don't trust a word you coo."  There's also the Tina Turner homage "I Don't Need You" ("Got my own boots to fill and you know I will,"  Nenni assures), the wistful, late-night honky-tonk ode "We Sure Could Two Step," and the playful title  track, in which, over a tight country-funk groove, Nenni jokes, "Don't you worry 'bout me / I'm gonna  have a bawl." It's a lighthearted lyric, but one that is, like everything on the album, true to Nenni's life. "I  do actually cry a fair bit, and I love to do it while I'm driving," she admits.  Nenni will have plenty of opportunities for that in the near future, as she plans to take Drive & Cry on  tour, far and wide. "I love to be on the road," she says. "I love to be with my buds, I love to play shows,  and I love to make people happy and make people cry with my music. That's what truly makes me happy,  too."  Nenni laughs. "So I maybe never thought I'd be a performer, but I sure am glad that I am."                                                             Tickets

06:30 PM - 11:00 PM

2025-05-28 18:30:002025-05-28 23:00:00America/New_YorkEmily NenniEmily Nenni has a confession: she didn't always plan on being a performing artist. "I thought I was just  going to be a songwriter," she admits. Clearly, life had something else in store. The singer and guitarist  has emerged as one of the freshest and most electrifying voices in Nashville, with a sound rooted in  classic honky-tonk and spiked with serious country, soul and rock 'n' roll fire, and sweet-and-sassy lyrics  that chronicle hard living, hot nights, heartbreak and other universal truths about the human condition.  Over the past several years she's enraptured audiences across Music City with sizzling sets in smoky  bars and clubs, honing her command of the stage, perfecting her skills as a band leader and sharpening  an already astute world view, all of which are on full display on her newest studio album, Drive & Cry.  The record is a marked departure from her previous full-length, 2022's celebrated On the Ranch.  Whereas that effort saw Nenni uproot herself to lend a hand — and write — while assisting at a ranch in  southern Colorado, Drive & Cry drops the listener smack in the middle of her boisterous and bustling  Nashville world. The album kicks off with "Get to Know Ya," a honky-tonk rave-up that celebrates the  end of the work day and the beginning of a music-filled, come-what-may night. Nenni busts out her  biggest hoops, jumps into the jeans she can "really only stand up in," and heads to the local bar. "Play 'til  the sun'll come / when the daylight's done," she sings as the instrumental accompaniment races in step  behind her.  From there, Nenni leads into "Greatest Hits," a pedal-steel-inflected Dolly Parton-style number in which  she tips her hat to underground honky-tonk venue Santa's Pub, a dive bar squeezed inside a double-wide  trailer that has become her home-away-from-home in Nashville. "When I first came to town, I was 21 and  singing at clubs with folks who were twice my age," Nenni recalls of moving to Music City from her native  California. "Then a buddy of mine said, 'There's a place where people are making this music that are  actually your age, and where you'd really fit in.' And that was Santa's Pub. It's where I learned that music  doesn't have to be perfect — everybody is just having fun and there's no judgment. You can show up  however you're feeling that night, have a good time and be surrounded by friends."  A stellar cast of those friends stepped up to assist Nenni on Drive & Cry, beginning with producer John  James Tourville of New West labelmates the Deslondes. "He brought in half the musicians and I brought  in half," Nenni says. "And he gave me so much space to make the record that I wanted to make."  It's a record that is her most personal to date. Save for an album-closing cover of Terry Allen's classic  "Amarillo Highway" (a staple of her Sunday-night sets at Santa's), Nenni penned the remainder of the  dozen tracks entirely on her own. "It's the first time I've done that," she says. "I had a few weeks alone at  my house in Nashville, and I just sat with all my thoughts and feelings from the last couple years and put  it all down. So this is an album that's truly 'me.' "  The results put the full range of Nenni's singular musical voice on display, from the soaring "Changes,"  influenced by her love of Sixties girl groups, to the swampy, strutting empowerment anthem "I Don't  Have to Like You," in which she declares "I'm a grown-ass woman and I don't trust a word you coo."  There's also the Tina Turner homage "I Don't Need You" ("Got my own boots to fill and you know I will,"  Nenni assures), the wistful, late-night honky-tonk ode "We Sure Could Two Step," and the playful title  track, in which, over a tight country-funk groove, Nenni jokes, "Don't you worry 'bout me / I'm gonna  have a bawl." It's a lighthearted lyric, but one that is, like everything on the album, true to Nenni's life. "I  do actually cry a fair bit, and I love to do it while I'm driving," she admits.  Nenni will have plenty of opportunities for that in the near future, as she plans to take Drive & Cry on  tour, far and wide. "I love to be on the road," she says. "I love to be with my buds, I love to play shows,  and I love to make people happy and make people cry with my music. That's what truly makes me happy,  too."  Nenni laughs. "So I maybe never thought I'd be a performer, but I sure am glad that I am."                                                             TicketsSmoking Butt Heads BBQSmoking Butt Heads BBQInfo@smokingbuttheads.com